从目前的研究看,讨论诗歌批评的著作与文章并不少,大多集中在批评的意义和评论诗坛现象上,缺少对诗歌批评的历史观照和互动考察,忽视批评实践的体验与总结。当代诗歌批评是否有传统可循?当代诗歌批评是否真正介入诗歌写作或诗歌事件?当代诗歌批评该从何处展开?围绕以上问题,本文对中国诗歌批评的发展历程进行了勾勒,指出当代诗歌批评具有无根性特点,它在借鉴中外批评传统的同时,仍然在摸索新的批评方式,是批评大树上的一枝。当代诗歌批评介入诗歌写作和诗歌事件的力量不足,面对诗坛问题缺少锐气与勇气。诗歌批评是无边的探索,大学是诗歌批评教育的发生地,多种探索与实践有利于培养具有专业品质的批评者,促进当代诗歌创作与批评的良性发展。 Judging from the current research, there are not many works and articles on the criticism of poetry. Most of them focus on the significance of criticism and on the phenomenon of poetry criticism. They lack the historical consideration and interactive examination of poetic criticism and neglect the experience and summary of critical practice. Whether the contemporary poetry criticism has the tradition to follow? Whether the contemporary poetic criticism intervenes in the poetry writing or the poetry event? Where does the contemporary poetic criticism unfold? In the light of the above problems, this article sketches the development of the Chinese poetic criticism and points out that contemporary poetic criticism It has the characteristics of rootlessness. While learning from the traditions criticized both at home and abroad, it is still exploring new methods of criticism and is a branch of criticism on the tree. Contemporary poetry criticizes the lack of power to intervene in poetry writing and poetic events, and lacks sharpness and courage in the face of poetic issues. Poetry criticism is boundless exploration. University is the place where poetry criticism education occurs. A variety of exploration and practice are good for cultivating critics with professional qualities and promoting the healthy development of contemporary poetry creation and criticism.