新媒体艺术涵盖了以全新材料为传播介质的艺术形式,它由两个明显的部分构成,一个是在架上画历史之后出现的,由全新媒体形式参与的当代艺术,这部分可以看成后现代美术的延伸,另一个是以消费和奇观为指向,由数字影像技术全面介入的虚拟叙事艺术,如电影中的数字特技镜头等。本文认为,就第二种形式而言,它仍体现为想象性的语言能指,并未在本体论意义上为艺术提供全新的视野,更未导致以摄影为基础的本体论终结;对其进行理论认知,最佳的途径是仍将其看作一种语言,而语言没有本体论;叙事中的拟像艺术由于历史原因,在今天仍然只发挥了虚构的潜能和制造奇观与快感的功能。 New media art covers the art form of new media as a medium of communication. It consists of two distinct parts. One is the emergence of contemporary art with new forms of media after its history has been drawn. This part can be considered as a post- The extension of modern art, the other is the consumer and spectacle point, by the full involvement of digital imaging virtual narrative art, such as the digital movie stunt lens. This paper argues that in terms of the second form, it still manifests itself as an imaginative linguistic signifier that does not provide a totally new perspective on art in ontological sense, nor does it lead to the conclusion of the photographic-based ontology. For its The best way to carry out theoretical cognition is to treat it as a language but not language as an ontology. Due to historical reasons, the art of simulacra in narration still exerts its imaginary potential and makes spectacle and pleasure Features.