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悲剧美学观是尼采生命美学思想的重要组成部分,颇能体现他人生哲学和生命美学的辩证关系以及艺术形而上学理论建构。实际上,尼采的美学理论乃至哲学思想的建构与他对悲剧人生及古希腊悲剧审美特性的认识和分析是分不开的。《悲剧的诞生》从古希腊艺术的起源,特别是希腊古典悲剧与希腊神话的渊源关系入手,探讨艺术起源、本质和审美特性。尼采把艺术与人生、人生的悲剧性、审美的超越性和艺术的救赎性结合起来,探讨欧洲的文化危机和精神自救问题,使他的悲剧美学观和他
Tragedy aesthetics is an important part of Nietzsche’s life aesthetics thought, which can reflect the dialectical relationship between his life philosophy and life aesthetics and the construction of art metaphysics theory. In fact, Nietzsche’s aesthetic theory and even the construction of philosophical thought are inseparable from his understanding and analysis of the tragic life and the aesthetic characteristics of the ancient Greek tragedy. The birth of tragedy begins with the origin of ancient Greek art, especially the relationship between Greek classical tragedy and Greek mythology, exploring the origin, essence and aesthetic characteristics of art. Nietzsche combines the tragedy of art and life, the tragedy of life, the transcendence of aesthetics and the redemption of art to explore the cultural crisis and spiritual self-help in Europe,