论文部分内容阅读
本文全面梳理了有关宋代国家投龙活动的相关史料,尤其注重分析其在空间分布与行文方式上的特点,并将其与唐代的情形进行对比,以期在此过程中揭示出唐宋问国家投龙仪之变迁。一方面,是五岳投龙仪式的衰减;另一方面,则是投龙处所的进一步“道教化”。这两个新的趋势,共同构成了宋代国家投龙活动的新面向。
This paper comprehensively sorts out relevant historical materials about the state’s investment in the dragon in the Song Dynasty, pays special attention to analyzing its characteristics in terms of spatial distribution and mode of writing, and compares it with the situation in the Tang Dynasty in the hope of revealing the historical questions Casting instrument changes. On the one hand, it is the decay of the Five Sacred Mountains’ throwing dragon ceremony; on the other hand, it is a further “Taoistization” of the dragon’s place. These two new trends together constitute the new orientation of the state’s investment in the dragon.