秦腔在花雅戏曲的嬗变过程中,实现了曲牌体向板腔体的过渡,是戏曲史上的一个重要声腔。新中国成立后,随着各级文化部门不断加强对地方戏曲的重视,大量的秦腔资料被搜集起来,尤以陕西省艺术研究所、甘肃省图书馆、中国秦腔博物馆收集为多。如何科学地整理、研究这些材料,成了摆在秦腔研究学者面前的一个问题。笔者不揣浅陋,就自己近年来一些粗浅的见解,求教于方家。 During the transmutation of Hua-Ya opera, the Qin chamber realized the transition of the curved body to the plate cavity, which is an important sound cavity in the history of opera. After the founding of new China, with the cultural departments at all levels continue to strengthen the emphasis on local opera, a lot of information collected by the Shaanxi Opera, especially the Shaanxi Provincial Institute of the Arts, Gansu Provincial Library, China Qin chamber collection as many museums. How to collate and study these materials scientifically has become a problem in front of the researchers in the Qin and Qing Dynasties. I do not guess shallow, on their own in recent years some superficial insights, neighborhoods in the square.