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谢默斯·希尼的叙事诗是把平凡的日常生活瞬间化成诗意的典范。本文借用概念合成的多域性,提出一种新的循环型合成方式来解释希尼叙事诗意的合成度。文章通过对采用白描式写实、描述-沉思性结构和陈示式注视的不同叙述风格的希尼四首叙事诗的例证考察,得出如下结论:多域性为合成度提供了支配机制,合成度是多域性的具体运作。读者就是在多域性和合成度之间的支配运作过程中,解读诗人不断“挖掘”的真谛,即“叙事升华”。
Seymour Sheeny’s narrative poem is the paradigm of ordinary everyday life into a poetic model. Based on the multi-domain of concept synthesis, this paper proposes a new way of cycle synthesis to explain the synthesis degree of Shini’s narrative poetic. Through the illustrations of the four narrative poems of Heni using different forms of narrative style, such as white sketching, description-contemplative structure and cynical gaze, the article draws the following conclusion: Multi-domain provides the dominant mechanism for synthesizing degree, Is a multi-domain specific operation. The reader is in the process of domination and operation between multiple domains and degrees of synthesis, and interprets the true meaning of the poet’s constant “digging”, that is, “the sublimation of narration.”