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声乐作为一门语言艺术,是人声依托语言进行的情感交流和体验。在演唱中,有清晰准确的咬字、吐字、归韵和声调,才能将歌曲语言意义表达清楚,从而准确的将歌曲的思想情感传递给观众。当然,不同的语言,有不相同的咬字吐字规则。(清)李渔《闲情偶寄》中说道:“有终日唱此曲,终年唱此曲,甚至一生唱此曲,而不知此曲所言何事,所指何事,口唱而心不唱,口中有趣而面上身上无曲;此所谓无情之曲,与蒙童背书,同一勉强而非自然者也,虽腔板极正,喉舌齿牙极清,终是第二第三等词曲,非登峰造极之技也。”可见,如果演唱时没有清晰地咬字吐字就是无情之曲,而咬字吐字清楚了,但也未必能够情深意切,感人致深。因此,咬字吐字技巧虽然不是歌曲情感表现的必然条件,但是一个必要的条件。所以,歌唱的语言从研究咬字吐字的规律和方法着手,就是传达语言的意义和语言的情感,树立语言的形象和性格的基础,只有有了清楚的咬字吐字,正确的语调语气,声音才会更具感染力引起听众的共鸣。
As a language art, vocal music is the exchange and experience of emotions based on language. In concert, there is a clear and accurate bite, articulation, attribution and tone, in order to express the meaning of the language of the song, which accurately pass the emotional thoughts and feelings of the song to the audience. Of course, different languages have different rules of articulation. (Qing) Li Yu, “Xianqing Oujiu” said: “There are all day singing this song, singing this song all year round, and even sing this song for life, and I do not know what the song said, referring to anything, sing and heart do not sing , The mouth is interesting and no song on the body; this so-called merciless song, with the endorsement of the Mongolian child, the same barely but not naturally, although the cavity plate is extremely positive, the tongue is extremely clear, finally the second third song, Non-peak technology is also. ”" Can be seen, if the articulation is not articulate articulate words is a merciless song, and articulate clear words, but may not be able to affectionate, touching deep. Therefore, articulation articulation skills, though not necessarily the emotional conditions of the song, but a necessary condition. Therefore, the language of singing from the study of the law and method of biting words is to convey the meaning of language and language feelings, establish the language of the image and character of the foundation, only with a clear articulation articulation, the correct tone of tone, the voice will More contagious cause the audience’s resonance.