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西学东渐,开启中国文化自我革新的大幕,中国绘画也面临“三千年未有之大变局”。风云激荡之秋,多少志士仁人奋起担当,为中国画的旧命唯新艰难探索。李可染,就是其中一位怀抱“东方既白”的中国梦而辛勤耕耘的艺术家。上世纪50年代初,当中国画存亡继绝之际,李可染以“可贵者胆、所要者魂”的勇气与智慧,开始了中国山水画革新的艺术冒险。无数座山峰的艰苦跋涉,无数个夜晚的寂静玄览,李可染以其独特的视角重新诠释了中国山水美学,以其风格鲜明的新图式、新意境、新笔墨,谱写了新中国艺术风貌的新篇章,从而成为20世纪中国画的经典,他本人也因此成为中国山水画开宗立派的大师。在他生前,有朋友说他可以开宗立派。他只是淡然一笑,回答说:“我开的是中国派。”
With the gradual progress of Western learning, the curtain of self-renovation of Chinese culture has been opened up. Chinese painting is also facing a “great turn of three thousand years.” The ups and downs of the turmoil, how many Cheshire people up, for the new life of Chinese painting new hard exploration. Li Keran is one of the artists who has worked hard to embrace the Chinese dream of “East White”. In the early 1950s, when the success of Chinese painting survived, Li Keran started his artistic adventure of reforming Chinese landscape painting with the courage and wisdom of “Valuable Guts and Souls”. Countless blocks of mountain trek, countless nights of mystery Xuan, Li Ke-dye with its unique perspective reinterpreting the Chinese landscape aesthetics, with its distinctive style of new schema, new mood, new brushstrokes, write a new Chinese art style A new chapter, which became the 20th century classic Chinese painting, he himself has therefore become the founder of Chinese landscape painting master. Before his death, a friend said he could start a tribal faction. He just smiled indifferently and replied: “I’m driving a Chinese faction.”