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当代国画工作者的时代使命,是让国画走向现代、走向世界。为此,国画创作应当实现真、善、美、情、意、境的统一,而不是随意而发、随性而为、随风而靡、随遇而安、随心所欲、随俗浮沉。根据从事国画艺术二十年的实践,本人以为,国画创作存在一个必然的递进结构,即“临、变、创”。临指临摹,变指变临,创指创作,三者是辩证、互补、递进、因果的关系。国画创作“临、变、创”递进结构的本质是从模仿到探索再到创作的演进过程,即从客观走向主观、实现主客观相统一的历史过程。
The contemporary mission of contemporary Chinese painting workers is to make traditional Chinese paintings move toward the modern world and go global. Therefore, the creation of traditional Chinese painting should achieve the unification of truth, goodness, beauty, sentiment, meaning and environment instead of making it at will, changing with the nature and changing with the wind. According to the practice of painting art in China for two decades, I think there exists an inevitable progressive structure of traditional Chinese painting, that is, “temporary, variable, record”. Pro refers to copy, change, a creative means, the three are dialectical, complementary, progressive, causal relationship. The essence of progressive structure is the evolution from imitation to exploration to creation, that is, the historical process from objective to subjective realization of the unity of subjectivity and objectivity.