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回文词的创作发展到清代达到了最高峰,不仅题材内容有所扩大,形式上也有了更多的变化。一些从明代开始出现的因素,如通篇回文和诗词互动的方式,在清代得到了广泛的响应和发展。清代词人在创作回文词时,处理了更为复杂的长短句结构,体现了驾驭语言的能力。清代出现了一些重要的创作回文词的作家,都很有创造力。如丁澎创作了19组回文词,不是像一般人那样回环为同一调式,而是回环为另外一调,进一步开拓了回文词的创作空间。顾长发则专门撰写了一部回文词谱:《诗余图谱》,不仅试图对回文词的历史进行总结,而且相关作品主要由其本人创作,反映出回文词在清初已经成为一种不可忽视的现象。从尊体的角度看,词学的发展,往往是从诗歌中寻找资源。清人创作继承宋人,在回文词的创作上争奇斗艳,这正是他们试图提升词的地位的重要方式之一。
The writing and writing of palindrome reached its peak in the Qing Dynasty. Not only the content of the subject matter has expanded, but also more changes have taken shape. Some of the factors that began to emerge from the Ming Dynasty, such as the way in which the essay and the poetry interact through each other, have been widely responded to and developed during the Qing Dynasty. Qing dynasty Ci writers in the creation of back words, deal with the more complex structure of long and short sentences, reflecting the ability to control the language. There were some important writers who wrote back words in the Qing Dynasty, all very creative. For example, Ding Peng created 19 sets of palindromes, which are not the same style as the average person’s loop. Instead, they are used as a separate tune to further open up the writing space for palindromes. Gu Changfa wrote a paltry essay: “Poetry and his atlas”, not only trying to summarize the history of palindrome, but also related works mainly by his creation, reflecting the palindrome in the early Qing Dynasty has become a can not be ignored phenomenon. From a respectable perspective, the development of Ci study tends to seek resources from poetry. Qing people inherit Song dynasty inheritance, writing in the palnake words contests, which is one of the important ways they try to enhance the status of the word.