在十九世纪浪漫主义文学史上,乔治·桑是个勤奋多产的女作家。在她卷帙浩繁的作品中,受到读者普遍喜爱的,还要推她的田园小说——《魔沼》、《小法岱特》、《弃儿弗朗沙》。这些小说,作者以想象的爱情故事为经络,着力表现理想社会,表现法兰西农人和乡土精神,作品中剔透着静谧、和缓、诱人、古雅的田园风光。它弥漫着浓郁的乡村生活气息,散发着扑鼻的泥土清香,充分反映了作者的美学思想。黑格尔曾在他的《美学》一书中指出:“法国人有一句名言:‘风格就是人本身’,风格 In the history of romantic literature in the nineteenth century, George Sang is a diligent and prolific woman writer. In her voluminous works, she is generally loved by her readers, and her idyllic novels, “Magic Moons,” “Little Fayette,” and “Abandon Francesca.” These novels, the imagination of the love story as a meridian, exemplify the ideal society, the performance of the French farmer and native spirit, the works are carved quiet, gentle, attractive, quaint pastoral scenery. It is filled with a rich rural atmosphere, exudes a soothing earthy fragrance, fully reflects the author’s aesthetic thinking. Hegel once pointed out in his book “Aesthetics”: "The French people have a famous saying: ’Style is human itself’, style