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马尔科姆·布雷德伯里在其代表性学界讽刺小说《历史人》中,塑造了芭芭拉·科克这个在社会上发挥着有限作用的非典型女性知识分子形象。芭芭拉从循规蹈矩固守家庭角色分工,到自我选择、自我解放以寻求自我实现,直至最终自杀,既有时代环境影响的政治因素,也有职业身份、地位、生理决定的经济因素,更有源远流长的男权文化影响因素。芭芭拉悲剧人生的实质,在于无论是在契约模式婚姻中还是在冲突模式婚姻中都无法解决女性在家庭中地位低下之悖论,在于男性与女性之间依存与对立、忠诚与背叛以及女性家庭角色与社会角色的矛盾冲突。芭芭拉形象反映了20世纪六七十年代西方知识女性在传统与现代、保守与激进、女性与男性多个维度对立斗争中艰难探索的生存状态。这对于探讨妇女定位及解放的伦理价值具有多方面的启示意义。
Malcolm Bradbury shaped Barbara Cork, the atypical female intellectual figure that plays a limited role in society in her classic scholarly satirical novel The Historic Man. Barbara secures the role of family in a well-behaved way, to self-selection and self-liberation in pursuit of self-fulfillment until suicide eventually, with both political and environmental impact of the times, as well as the economic factors of occupational status, status and physiology, Patriarchal culture influence factors. The essence of Barbara’s tragic life lies in the fact that the paradox of women’s low status in the family can not be solved both in the contract mode and in the conflict mode marriage. It lies in the interdependence and opposition between men and women, loyalty and betrayal, and women Conflict between family role and social role. Barbara’s image reflects the survival of western intellectuals in the sixties and seventies of the 20th century in the difficult exploration in the struggle between traditional and modern, conservative and radical, and the multiple dimensions of women and men. This has many implications for exploring the ethical value of women’s positioning and liberation.