南传佛教与汉传、藏传佛教并称为中国三大佛教流派。近年来,南传佛教壁画的绘制呈现出兴盛势态。在对国内南传佛教地区进行多次考察的基础上,文章从保护与发展的尴尬、本土画工的缺失与壁画“外来化”倾向、佛寺功能的世俗化与壁画创作心态的变化三方面,对我国南传佛教壁画的现状进行分析与评述。 Southern Buddhism and Han, Tibetan Buddhism and called China’s three major Buddhist genres. In recent years, the drawing of the Southern Buddhist murals has shown a flourishing trend. On the basis of many surveys on the southern Buddhism areas in our country, from the three aspects of the embarrassment of protection and development, the lack of native painters and the tendency of mural painting “externalization ”, the secularization of the Buddhist temple function and the mentality of mural creation , Analyzes and comments on the present situation of the southern Buddhist murals in our country.