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马丁·海德格尔是一位德国哲学家,是20世纪存在主义哲学的创始人和主要代表之一。他不是从传统意义上的知识论和科学原理来解读世界,而是为人们提供了一种认知世界的新的途径。物与人又是一种天然的联系,而人与物的关系首先是一种存在,人与物是不可分离的,人的身体也属于物,而物又不仅仅是一种外显的状态,就像花岗岩经过风化后就会变成沙土一样。所以没有孤立的物,物是在联系、关系中体现物本身的联系,他在其《艺术作品的本源》中阐述了艺术的本质是什么,他认为,所有的艺术作品都具有物因素,寻找艺术,不是从观念找,而是从物找,那么物是什么?物并非是纯然感觉的组合,更不是实体与属性的相加,而是一种在具体的历史中显现它与其他存在者关系的可能性。本文针对这些观点,尤其是材料这一存在产生的一系列变化,来阐述了海德格尔对当代水墨画的影响。
Martin Heidegger, a German philosopher, is one of the founders and main representatives of 20th-century existentialist philosophy. Instead of interpreting the world from the traditional theory of knowledge and science, he provides a new way for people to understand the world. The relationship between things and people is a kind of natural relationship. The relationship between people and things is first of all a kind of existence. People and things are inseparable. The human body belongs to things, and things are not merely an explicit state Just as granite will become sand when weathered. Therefore, there is no isolated object, which is the connection between the objects and the objects themselves. He expounds the essence of art in his “origin of the artwork”. In his opinion, all of the artworks have the material elements to look for Art is not sought from the concept, but from the things to find, then what is the thing? The thing is not a combination of pure feeling, but not the addition of substance and attribute, but a manifestation of it and other beings in the specific history Possibility of relationship In the light of these views, especially the series of changes in the existence of materials, this article expounds Heidegger’s influence on contemporary ink painting.