论文部分内容阅读
鲁迅和芥川龙之介是处于近代东亚文学东西方巨流汇合处的两位短篇小说巨匠,他们一面秉如椽巨笔引一代文风之新潮,一面受着时代与自身所加的创痏做孤独的觉醒者,这两位创作时期同在20世纪前半叶的文学巨擘在关于历史材料小说的创作方面隔海共鸣,相映生辉。芥川龙之介的《地狱图》和鲁迅的《铸剑》都在以一种异常压抑诡谲的气氛,发扬踔厉的风格讲述了关于“复仇”的故事,而这种复仇的决绝态度与精巧的行文构思使思想和形式完美地结合,就有了撼人心魄的精神内核和发人深省的力量,但同时两部作品中塑造的“复仇者”形象又因为作品视角和构思的不同,而呈现出各自的特点,从中可以窥见主人公乃至文本之后的作家对于自身矛盾和社会矛盾,所选择的反抗方式的不同。
Lu Xun and Akutagawa Ryunosuke are two short story masters who are in the confluence of the East and the West in the modern East Asian literature. As they lead the trend of the generational style of writing, they are lonely by the times and their own creation. Awakening, the literary giants of these two creations, which coincided with the first half of the 20th century, resonated across the sea in the creation of historical material novels. Akutagawa Ryunosuke’s “Hellmap” and Lu Xun’s “Casting Sword” are all telling the story of “Vengeance” in an unusual and depressing atmosphere, and the attitude of this vengeance And the exquisite composition of thought and ideology perfect form, there is awe inspiring spiritual core and thought-provoking forces, but at the same time, the two images in the “Avengers” image and because of the different perspectives and ideas , Showing their own characteristics, from which we can get a glimpse of the differences in the ways of resistance chosen by the writers after the protagonist and even the text for their own contradictions and social contradictions.