对中国绘画,大多数专家学者认为13世纪末以来的绘画处于鼎盛时期,其伴随着宋代的结束而灭亡,至少是明显式微后的产物。虽然30多年前远东以外的某些国家开始严谨地研究中国的绘画,但学术界对此却仍有争议,而对于绘画的研究还有一些有争议的观点,如国内学术界有相当大的一部分人认为,中国绘画的研究应当植根于文本,只有这样才是符合“中国传统”的研究。而高居翰教授则另辟蹊 For Chinese painting, most experts and scholars believe that painting since the end of the 13th century was in its heyday and that it perished with the end of the Song Dynasty, at least as a result of the obvious decline. Although some countries beyond the Far East began studying the Chinese painting more than 30 years ago, there is still controversy in the academic circles. There are still some controversial views on the study of painting. For example, a considerable part of the domestic academic community People think that the study of Chinese painting should be rooted in the text, the only way it is in line with “Chinese tradition ” research. Professor Gao Juhan is another way