“春凳”是一种明清流行的家居器物,只是一种宽而长的凳子,并无靠背。凳面多用攒边做法,通常可供两人同坐或一人躺卧,亦可用作摆放器物的家具。但“春凳”又不仅是家居器物,还寄予着人们对美好生活的向往与追求,有着丰富的社会文化内涵。正因如此,“春凳”频繁出现于明清乃至现当代小说之中。准确理解“春凳”的特征及其特有内涵,才能深刻体味它在小说中除了满足场景描写的需求外,所承载的当时人们特有的家居行为方式和社会文化心理,才能感受到它所渗透着的小说家细腻的情感痕迹与精心的艺术构思。 “Spring stool ” is a popular household artifact in the Ming and Qing dynasties. It is a wide and long stool with no backrest. Stool surface with more save side practice, usually for two people sit down or lie down, can also be used as furniture placed objects. However, “Spring Stool” is not only a household object, but also places people’s desire and pursuit of a better life with rich social and cultural connotations. Because of this, “Spring Stool ” appears frequently in the Ming and Qing Dynasties and even contemporary novels. To accurately understand the characteristics of Spring Stool and its unique connotations, can we deeply understand that in addition to meeting the needs of scene description, it can only experience the unique behaviors of people at home at that time and the social and cultural psychology Permeating novelist delicate emotional traces and meticulous artistic ideas.