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本文分析当代匈牙利作曲家久尔吉·库塔克的大型管弦乐作品《墓碑》(Stele Op.33)第一乐章,通过材料来源、对其他作曲家的隐喻、图表式分析等,阐述库塔克体现在材料关系网、创作技法及音响色彩上的时空观。在这一过程中,材料间的关系、节奏及音响上的“原点”思维、中心音控制、时空维度的音响构造是最大特点。本文的研究表明,第一乐章的内外构造及元素设计不仅体现了作曲家的核心创作思维,而且也是时空重构手法下产生的结果。
This article analyzes the first movement of Stee Op.33, a large-scale orchestral work by the contemporary Hungarian composer Giulki Kutak. Through the metaphorical and graphical analysis of the material sources and other composers, Reflected in the material network, creative techniques and audio color space concept. In this process, the relationship between material, rhythm and sound on the “origin” thinking, central sound control, space-time dimension of the sound structure is the most prominent feature. The research in this paper shows that the internal and external structure and elemental design of the first movement not only reflects the composer’s core creative thinking, but also results from the time-space reconstruction.