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以影像作参照的绘画已存在百年,但主动使影像自身特性彰显出来并成为作品主要因素的绘画存在时间并不长。这种较新的语言方式反映了画家面对图像时代的基本策略,本文试图从这个类型作品的视觉特征出发,分析其与影像技术的多方位关系,展现其部分内在的语义系统。
There have been centuries of drawing with reference to images, but there is not a long period of time for a painting that takes the initiative to make the image itself unique and the main factor of the work. This newer language approach reflects the artist’s basic strategy in the face of the image age. This article tries to analyze the multi-directional relationship between this type of visual work and the video technology and reveal some of its intrinsic semantic systems.