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以弘扬主旋律为己任的当代军旅话剧,因表现对象的特殊性,在发展中形成了超稳定性结构,即以神圣化的英雄主义、理想主义、牺牲奉献精神为支撑,以传统写实主义手法为主要表现手段的思想艺术范式。这种思想艺术范式在1950年代、1960年代的革命话语中发展壮大,在1980年代的启蒙话语中失声,在1990年代至今的世俗话语中复苏。三个阶段的成败经验证明:主旋律的正面价值需要弘扬,军旅话剧的问题在于能否完成取材角度与艺术表现上的突破。
Because of the particularity of the object of expression, the contemporary military drama with responsibility to carry forward the main theme has formed an ultra-stable structure in its development, that is, it is supported by the sacred heroism, idealism and sacrifice and dedication. In the traditional realism approach, The main expression of the means of thinking and art paradigm. This paradigm of intellectual art grew stronger in the revolutionary discourse of the 1950s and 1960s, lost its voice in the discourse of enlightenment in the 1980s, and recovered from secular discourse in the 1990s and now. The success or failure of the three stages of experience shows that: the positive value of the theme needs to be promoted, military drama lies in whether the completion of the material point of view and artistic breakthroughs.