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九叶诗派(中国新诗派)是抗战后期和解放战争时期的一个具有现代主义倾向的诗歌流派。袁可嘉在1981年出版的《九叶集》中首次提出了“九叶诗派”这个称谓。“九叶诗派”是一个在战火中塑形而成的诗派。在上世纪四十年代起在大后方的学府西南联大,出现了一隅难得的相对稳定的宁静,栖息在这里的诗人逐渐形成了“战乱中的校园诗人”这一独特的群体,这个群体也形成了一套独具特色的诗歌理念。本文主要论述在“九叶诗派”重要的“综合”概念下,内部世界和外界的融合,中西诗歌艺术融合所形成独特风格,进一步挖掘诗歌所创造出的艺术世界,包括独具特色的战争书写,独特的意象体系,对城市经验的描绘,新诗戏剧化理论的开拓等,致力于勾连出上世纪40年代中国诗歌的总体风貌。
The Nine Leaves School (Chinese New Poetry School) is a school of poetry with a modernist tendency during the period of the Anti-Japanese War and the War of Liberation. For the first time, Yuan Kejia published the title “Nine Leaves Poems School” in the Nine Leaves Collection published in 1981. The Nine Leaves School is a school of poetry shaped by the war. In the 1940s, at the southwestern university, which is the university’s rear university, there appeared a rare and relatively stable corner. The poets who perched here gradually formed a unique group of “campus poets in war” Groups also formed a unique concept of poetry. This paper mainly discusses the unique style formed by the integration of the internal and external worlds and the fusion of Chinese and Western poetry under the concept of “nine-leaf poetic school” and “important” “synthesis ”, and further excavates the artistic world created by poetry, The distinctive style of war writing, the unique image system, the portrayal of urban experience and the exploration of the dramatic theory of new poetry are devoted to linking up the overall style of Chinese poetry in the 1940s.