雅乐是官方制度化的仪式性音乐,是国家礼乐制度的重要组成部分。作为雅乐之母体的国家礼仪制度,始终推动着中国雅乐的发展。历代郊祀制度经历了曲折的发展过程,汉唐时期祭祀制度逐步简化,明清则是封建礼制的集大成时期。本文通过清理中国古代郊庙制度下雅乐的承载方式以及仪式乐歌的用乐状态,特别以南郊制度下圜丘祭祀乐仪的变迁为研究重点,旨在全面而深刻地揭示国家礼制仪式与雅乐的对应关系,达到阐释雅乐的仪式表演程序和自成体系的音乐组织方式的目的。 Ya Le is the official institutionalized ritual music, is an important part of the national ritual system. As a national ceremonial system of Allegro, it has always promoted the development of China’s Ya Le. The suburbs worship system has undergone a tortuous development. The sacrificial offering system in Han and Tang dynasties gradually simplified, and Ming and Qing dynasties were the great period of feudal etiquette. This article focuses on the change of the music and ritual music of Qiuqiu under the system of the southern suburbs by cleaning up the carrying capacity of the elegant music and the state of music of the ritual music under the ancient suburban temple system in China. Yarluk correspondence, to achieve the purpose of interpreting Yaroo ritual performance procedures and self-contained system of music organization.