:报告文学自“五四”诞生以来 ,其发展进程就始终处于时代与文化变革大潮的裹胁之中 ,带有“在野”艺术的鲜明印记。在 40年代中国文化转型大背景下孕育而出的解放区报告文学 ,则以其别样的风貌与基调 ,呈现出时代精神对报告文学文体规范的整合与重构 ,预示着报告文学将从身处“江湖”而居身“庙堂”,最终完成由既定秩序的批评者向维护者的角色转换的全过程 : Since the May 4th Movement, the reportage has always been under the threat of the great changes of the times and culture. It has a distinctive imprint of the art of “being wild”. In the context of the transformation of Chinese culture in the 1940s, the Jiefang District reportage, which was born out of its own style and tone, presented the integration and reconstruction of the spirit of the times in the reporting style of the reporting literature, “Rivers and lakes” and living “temple”, and ultimately completed by the established order of the defenders to defenders of the whole process of conversion