没骨花鸟画经历了元代的低潮期,在明代有了重大的进展,明代成为没骨画发展的重要时期。皇家画院在南宋灭亡消失后,在明初期得以恢复,并提倡代表保守潮流的宋代画风重新崛起,这给没骨花鸟画的创作提供了重要的发展空间。在以色彩造型的没骨画中加入水墨的元素,水墨画中同样体现着没骨画的特性。以色墨兼施的方法表现物象成为明代没骨画的一大特点,其没骨画的语言得到了进一步的延展。没骨画的定义也 Boneless bird and flower painting experienced the ebb period of the Yuan Dynasty, and significant progress was made in the Ming Dynasty. The Ming Dynasty became an important period for the development of bone painting. After the demise of the Southern Song Dynasty disappeared, the imperial art academy was restored in the early Ming Dynasty and advocated the resurgence of the style of the Song Dynasty that represents the conservative trend, which provided an important development space for the creation of the non-ostrich bird paintings. In the color modeling of the boneless painting by adding elements of ink, ink painting also reflects the characteristics of non-bone painting. The method of using both color and ink to represent the object has become a major feature of the Ming Dynasty boneless painting, and its language without bone painting has been further extended. No definition of bone painting also