《纪念碑》的舞台是一个雾气弥漫的丛林。考琳·魏格纳在剧本中模糊了故事的年代和地域,导演查明哲利用了这一点。舞台后方,高大的木柱子交错、叠加,搭建起两块演区;靠近观众的舞台前方,则铺就了一条长长的泥土带。局部写实的造景,充分发挥了舞台假定性:前者有时用作囚室,有时是二人的居所;后者可以是房屋外面的田地,又在飘满落叶时变作树林。 The stage of the monument is a misty jungle. Cowling Wegner in the script blurred the story of the era and area, director Charlie used this point. Behind the stage, tall wooden pillars staggered, superimposed, set up two play area; close to the audience in front of the stage, then paved a long earth belt. Local realistic landscape, give full play to the stage presumption: the former is sometimes used as a cell, sometimes two dwelling places; the latter can be outside the house field, but also in the floating leaves become trees.