论文部分内容阅读
本文针对《艺术之梦与人性的抉择》一文中的“散板与当今世界格格不入,”“儒家音乐思想是丑学,”“道家与儒家相同,是自我泯灭的安眠药,”“《声无哀乐论》扼杀了人性动因,”“中国音乐缠绵的根本是缺乏动力性的五声音阶”五个主要观点,提出了截然相反的意见,认为散板仍是音乐表现的重要手段,儒家道家并非一无是处,《声无哀乐论》在当代仍有价值,五声音阶并非缠绵之根,对于中国传统民族应该在批判中继承,而不是在批判中否定,复兴中国传统民族音乐不是梦,应该是振兴民族精神的重要内容。
In this paper, the article “The dream of art and the choice of human nature,” a piece of paper is incompatible with today’s world, “” Confucian musical thinking is ugly, “” Taoism and Confucianism is the same, is self-extinguishing sleeping pills, “” “” “The fundamental reason why Chinese music linger is the lack of motivation of the pentatomic scale ” five main points of view, put forward the opposite opinion, that the bulk board is still The Confucian Taoist is not without merit, an important means of music performance, “sound without sorrow and sorrow” is still of value in the contemporary era, and the fifth-scale scale is not the root of lingering. Instead of refusing to criticize and rejuvenating China, the traditional Chinese nation should inherit it Traditional ethnic music is not a dream, it should be an important part of rejuvenating the national spirit.