题记:傅抱石是20世纪最为重要的美术家之一,其美术史学、美术理论研究精深独到,影响深远。民初梁任公曰:“学者之谱,可以观一时代思想,事功家之谱,可以观一代事变,其重要相等。”所以,了解傅抱石之学术,对理解20世纪中国美术史学之演进大有裨益。近年来,笔者专注傅抱石其人其艺,收集了若干傅氏散佚文章,有的对了解其艺术思想甚为关键。两年前为著述《傅抱石美术史学论稿》,曾摘录叶宗镐《傅抱石年谱》相关内容编辑《傅抱石学术著述编年》,然仅 Inscription: Fu Baoshi is one of the most important artists in the twentieth century, whose art history and fine arts theory are profound and unique, far-reaching impact. In the early years of the Republic of China, Liang Ren Gong said: “The spectrum of scholars can observe the thoughts of an era and the spectrum of events and achievements, and can be viewed as a generational change.” Therefore, understanding Fu Baoshi’s academic understanding of the art history of Chinese art in the 20th century The evolution of great benefit. In recent years, I focus on Fu Baishi their art, collected a number of Fu Si scattered articles, and some understanding of its artistic thinking is the key. Two years ago for the writing “Fu Baoshi Art History of Manuscripts,” has extracted Ye Zonggao “Fu Baoshi Chronicle” related content editor “Fu Baoshi academic chronicle,” and only