论文部分内容阅读
第二届全国舞蹈比赛与中国“新舞蹈”(接上期)第二届全国舞蹈比赛1986年10月在北京举行。比赛仍然不分舞种,但在第一届舞赛“独、双、三人舞”的基础上增加了群舞。这使得舞赛的天地得以拓展,编导的思维也得以开阔。如果比较一下两届舞赛6年来的认知变迁(以编导一等奖作品为例),可以清楚地看到:其一,中国古典舞动作风格的作品有所弱化,三人舞《金山战鼓》的巾帼英气转向了双人舞《新婚别》的闺门怨气,后
Second National Dance Competition and China “New Dance ” (accession period) The second national dance competition held in Beijing in October 1986. Competition is still dance, but in the first dance competition “single, double, triple dance ” based on the increase of group dance. This makes the world of dance games to expand, director of thinking has also been broadened. If you compare the cognitive changes in the two dance sessions over the past six years (taking the first prize works as an example), we can clearly see that firstly, the work style of Chinese classical dance has been weakened, “The towel 帼 British turned to the dance of double” newlyweds "Boudoir grudges, after