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“社火”是中国汉族一种古老的娱神、娱人的民俗活动,“社”为土地之神,“火”为火焰之神,“社火”源于古代先民对于土地与火的崇拜。而篓子灯作为驱鬼逐疫、敬天祭神的民间祭祀仪式则是“社火”活动中不可或缺的一部分。本文以元宵节作为阈限期,以维克多·特纳的“结构”理论为研究视角,将篓子灯放入节庆仪式的特殊场景中,进行结构与反结构的意义研究,并对其包括的独特表演形式与文化内涵进行深入剖析,探索其发展过程中衍变与衰落的根本原因。
“Social Fire ” is an ancient Chinese God of amusement, entertainment folk activities, “community ” is the god of the land, “fire ” is the god of flame, “social fire ” from Ancient ancestors worship of land and fire. The basket lamp as a drive to exorcism epidemic, worship God’s sacrificial ceremony is the “fire” activities an integral part. In this paper, the Lantern Festival as the threshold period, with Victor Turner “structure ” theory as the research perspective, the basket lamp into the special scene of the festival ritual, Including the unique form of performance and cultural connotation in-depth analysis to explore the evolution and decline of the root causes of its development.