博特罗的绘画通过形体与结构的肥胖、空间与氛围的犯胖、想象与观念的肥胖共同营造一种肥胖之美,这种肥胖之美的艺术语言对于后现代高科技、碎片化、图像化的时代也算是一次可爱的“逆袭”吧。20世纪的绘画史是一段风云多变的历史,从19世纪末开始的针对古典主义的革命,到20世纪初的现代艺术的建立,从现代艺术的结构语言开始到后现代艺术的解构语言的建立,架上绘画似乎已经不再是纯粹的绘画,用现代艺术也许比较合 Botero’s paintings, together with the obesity of body and structure, obscenity of space and atmosphere, fatness of imagination and concept, together create a fat beauty, an artistic language of obesity that is of great use for postmodern high-tech, fragmented and graphic Time is also considered a cute “counterattack” it. The history of painting in the 20th century is a changing history. The revolution from the late 19th century to the classical era and the early 20th century set up the modern art, starting from the structural language of modern art to the deconstruction language of postmodern art , The painting on the shelf seems to be no longer a pure painting, with modern art may be more suitable