中国文化产业从无到有、从小到大,辉煌成就有目共睹。然而在数量规模型“大发展大繁荣”之中,始终有着在世界文化贸易平台上少“大师”、缺“经典”、无“品牌”的隐痛,不少项目陷入“食之无味、弃之可惜”的鸡肋式纠结。回想半年来参与评审评议的百余个文化产业项目、人才培训基地,如鲠在喉,有不吐不快的感觉。一是创新含量普遍不足;二是宗旨层面普遍偏低;三是发展方式普遍滞后。部分队伍、产品、服务、项目建设不尽如人意,直指价值、价值取向、核心价值观问题,如此关键若得不到足够认知、广泛认同、较多共识,那么文化产业前景堪 China’s cultural industry from scratch, from small to large, brilliant achievements for all to see. However, in the scale of quantity and scale, “great development and prosperity”, there is always a pain in the world’s cultural and trading platforms, such as “master”, lack of “classic” and “brand”, and many projects Into the “tasteless food, the pity to abandon ” tasteless tangle. Recalling the past six months to participate in the review and appraisal of the hundreds of cultural industries projects, training base, such as in the throat, there is no feeling of displeasure. First, the content of innovation is generally inadequate; Second, the general level of purpose is generally low; Third, the development mode is generally lagging behind. Part of the team, products, services, project construction is not satisfactory, pointing to the value, value orientation, the core values ​​of such issues, if not enough understanding of the key, widely recognized, more consensus, then the cultural industry prospects