当代电影新古典主义之“新”不仅在于它所具有的那种背靠历史融化中西、提倡个体情感与群体义务和谐、现代意识与古典理想融合的现代理性精神,更为重要的是在这一理性精神下坚守独立自由的美学理想。它以富于诗性的影像及其穿透力实现了审美取向与伦理价值高度融合这一新古典主义理想,在升华出广泛的国家民族、历史文化价值判断的同时,真正写出了现代人的生存状态和普遍的人性力量,彰显出人与世界的美与和谐。 The “new” of contemporary movie neoclassicism is not only due to the modern rational spirit it possesses, that is, the kind of modern rationality which melts the history back and forth with history and advocates the harmony of the individual feelings and group obligations, and the integration of the modern consciousness and the classical ideal. More importantly, Under this rational spirit, the aesthetic ideal of independence and freedom is upheld. With its poetic image and penetrating power, it realizes the neoclassical ideal of aesthetical orientation and ethical value fusion. While sublimating a wide range of national, historical and cultural value judgments, it realizes that modern people Living conditions and universal humanity, highlighting the beauty and harmony between man and the world.