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龙在古史传说中,上可极天,下可入渊;腾骧倏忽,来去无踪;兴云作雨,变幻莫测。偶有一现,则见首不见尾。这龙怎么画?在宋以前,人们的想象有一个从简单到复杂的发展过程。仅就图画中所见(玉器、青铜器除外)而言,最简单的一条龙是山西襄汾陶寺文化彩陶盆上的盘龙。其身环状,大鳞片,口含麦穗。其后是长沙出土的战国帛画《人物龙凤图》,龙身呈“(?)”形,躯体上大鳞同陶寺盘龙,然多一足。再后有长沙马王堆西汉墓出土“T”形帛画上的龙,头似虎,张口露牙吐舌;身体修长,鳞似
Dragon in ancient legends of history, can be extremely natural, can be deep into the next; Teng 骧 倏 suddenly, come and go without a trace; Xing Yu rain, unpredictable. Occasionally see the first sight. How did this dragon draw? Before Song, people imagined a simple to complex development process. Only the picture seen (jade, bronze excluded), the simplest one-stop pottery is the pottery dragon Tao Fen pottery pots in Xiangfen, Shanxi Province. Its body ring-shaped, large scales, mouth with wheat ears. Followed by the Warring States Period unearthed in Changsha silk “figure Dragon”, the dragon body was “(?) ” Shape, the body with a large scale with Pan Taoist Panlong, but more one foot. Then there was the dragon unearthed in the Mausoleum of Mawangdui Western Han Dynasty in Changsha, “T” -shaped silk dragon, head tiger, open mouth teeth; slender body, scales like