关于崇高问题,同时还有一个崇高感的问题,人们已经说的够多的了.特别是在西方美学史上,自朗吉弩斯首次提出崇高概念以来,经过中世纪宗教神学的浸润和阐说,崇高一直作为重要的美学问题出现在美学著述中.在很长一段历史时期里,人们是把崇高当作与美相对立的审美范畴来对待的,这种认识上的历史偏差,反而又极大地促使美学家们对崇高予以更多的理论关注,其中也 There are enough questions about loftiness and lofty feeling at the same time, and people have already said enough.In the history of Western aesthetics, especially since Langjamus first proposed the lofty concept, through the infiltration and elaboration of the medieval religious theology, Sublime has always appeared in aesthetic writings as an important aesthetic problem. In a long period of history, people treat sublime as the aesthetic category that opposes beauty. The historical deviation of understanding, on the contrary, Urging esthecists to pay more theoretical attention to loftiness, of which too