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朱谦之的《周易哲学》以其对儒家美学的创造性阐释在中国现代美学史上占有重要地位,为考察传统美学的现代传承和演变提供了直接参照。作者对《周易》“默识”说的论述是对儒家审美方法的激活和彰显;对“真情之流”的论述是对儒家情感美学的承继;对《周易》时间美学的论述是对儒家时间美学的深化;对本体之“神”和“意象中和”论的阐发是对儒家美学本体论的拓展。
Zhu Qianzhi’s “Book of Changes”, whose creative interpretation of Confucian aesthetics occupies an important position in the history of modern Chinese aesthetics, provides a direct reference for examining the modern inheritance and evolution of traditional aesthetics. The author’s discourse on “Book of Changes” and “Tacit understanding” is the activation and demonstration of the Confucian aesthetic method; the discussion of “the flow of truth” is the inheritance of Confucian sentiment aesthetics; the discussion of the time aesthetics of the Book of Changes Is the deepening of the Confucian aesthetic time, and the elucidation of the “God ” and “image neutrality ” of the ontology is the expansion of the Confucian aesthetic ontology.