精神分析是由弗洛伊德创建、荣格等人发展的一种文学批评理论,其理论的中心概念是无意识与欲望。本文以此方法为理论基点,来解读电影《杀生》中人物的欲望、人格和公共无意识等问题。精神分析批评发展至今日趋完善,生活中有很多现象也可以用其来解释,在弗洛伊德去世后的半个多世纪里,不少文艺批评家用他的理论对电影作品进行解释、批评,形成了对精神分析美学的进一步探索。弗洛伊德的精神分析学包括四个基本原理:人格动力 Psychoanalysis is a theory of literary criticism developed by Freud and developed by Jung and others. The central concept of the theory is unconsciousness and desire. This article takes this method as the theoretical basis to interpret the characters’ desires, personality and public unconsciousness in the movie “Destroying Life”. Psychoanalytic criticism of the development of the perfect until now, there are many phenomena in life can also be used to explain that in the more than half a century after Freud’s death, many literary critics use his theory to explain the film works, criticism, Formed a further exploration of psychoanalysis aesthetics. Freud’s psychoanalysis includes four basic principles: personality dynamics