作为新德国电影运动的重要导演,法斯宾德的电影创作从一开始就走上了现实主义的创作道路,他始终以冷静而理性的眼光深入探讨德国人的精神世界,对德国历史和现实进行了严厉的审视和批判。在创作中,他一方面继承传统现实主义电影的那种直面现实、抨击社会的批判精神;另一方面又对其加以改造和发展,增加了许多极具个人风格的表现手法。在其众多的影片中,《莉莉·玛莲》具有相当的代表性,它较全面地体现了其创作风格。 As an important director of the New German film movement, Fassbinder’s filmmaking has embarked on the path of realistic creation from the very beginning. He has always discussed the German spiritual world in a calm and rational manner, Conducted a rigorous examination and criticism. In the process of creation, on the one hand, he inherits the reality of traditional realist films and criticizes the critical spirit of society. On the other hand, he has also reformed and developed it and added many highly personal expression techniques. In many of his films, “Lily Marian” is quite representative, it more fully reflects its style of creation.