靳卫红:“蓄素守中”展览算得上是对你30年艺术的一个梳理,你自己觉得满意吗?梁铨:谈不上满意,我昨天讲了,感觉到30年这么快过去了,因为我本来一直不想办展览。我觉得我自己的东西是比较单调的,我喜欢搞小规模展览,十几张看了很好,意犹未尽之时,肯定好,所以我没有同意办这个大展览,纠缠很多年。前年同意办这个展览做准备,在杭州整理画,才发现很多旧作品都坏了。也没有什么可惜的,一切都是合理的、随缘的,这个世界上要这么多画干什么呢?靳卫红:那是很可惜了!我看了这个 Jin Weihong: “Imprinting keep in the” exhibition is considered a 30-year art for you to sort out, do you feel satisfied with it? Liang Quan: do not talk about satisfaction, I said yesterday, I feel 30 years so fast passed Because I did not want to do exhibitions all along. I think my own thing is relatively monotonous. I like to engage in small-scale exhibitions. When a dozen of the exhibitions were well looked and determined, I did not agree to hold this grand exhibition for many years. Two years ago agreed to do this exhibition preparation, finishing painting in Hangzhou, only to find that many of the old works are broken. There is no pity, everything is reasonable, revel, the world so much to do what? Jin Weihong: That is a pity! I read this