悲情音乐审美的普遍性及其内在心理依据

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俗话说:悲喜两重天。悲、喜是人类最为基本的、呈现两极性的两种情感。与喜情相比较,悲情似乎更具有宿命性和根本性。因此,各种艺术对于悲情的表现更为普遍,更为深刻,其效果往往也更感人至深。由悲情转换而来的审美快感,更为深沉,更为痛彻。中华民族同世界上的其他优秀民族一样,亦不乏深刻的悲苦情感,同时,中华民族又以鲜明的乐观情怀彰显其文化特征。(1)古人讲,“生于忧患,死于安乐”。由此看,悲喜两种看似矛盾的情 As the saying goes: sad and heise two days. Sadness, joy is the most basic human, showing the two emotions of the two polar. Compared with the love, sadness seems more fate and fundamental. Therefore, all kinds of arts are more common and profound to the performance of sadness, and their effects are often more profound. The aesthetic pleasure transformed from sadness is even more profound and painful. Like other excellent nations in the world, the Chinese nation has no lack of profound sadness and sentiments. At the same time, the Chinese nation shows its cultural characteristics with a clear and optimistic feeling. (1) The ancients say, “Born in trouble, died of peace ”. From this point of view, sadness and hi two seemingly contradictory feelings
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