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新中国成立以后,对西方现代艺术完全否定,对中国传统艺术则采取了批判、改造的态度,改革开放以来,各种探索性的“现代艺术”迅速占据了中国艺术领域的制高点,而“传统文化”和“传统艺术”在“现代”和“传统”两种创作倾向中获得了“新生”。对于传统艺术资源在当代艺术中的运用,以往的研究多围绕“意义生成”的问题展开,价值判断也主要以意义的“更新”为主。艺术是复杂的创造性活动,在形式上涉及构图、线条、用色等因素,在内容上则涉及意义、情感、情绪等因素。本文试图对“传统艺术资源”运用中的情感转换和拓展现象做出简要分析。
After the founding of New China, it completely denied the western modern art and adopted the attitude of criticism and reform of the traditional Chinese arts. Since the reform and opening up, various exploratory “modern art” quickly occupied the commanding height in the field of Chinese art, “Traditional Culture” and “Traditional Art” gained “new life ” in two creative tendencies of “modern ” and “tradition ”. For the use of traditional art resources in contemporary art, the previous researches focus on the issue of “meaning generation”, and the value judgments are mainly based on the meaning of “renewal”. Art is a complex and creative activity that involves such factors as composition, lines and color in terms of form. In terms of content, it involves factors such as meaning, emotion and emotion. This article attempts to make a brief analysis of the phenomenon of emotional transformation and expansion in the use of “traditional art resources”.