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外资画廊在中国的一级市场中占有举足轻重的地位,其一举一动频频引发各界瞩目,画廊业的发展亦直接关乎当下艺术市场生态健康良性运转。本文从北京地区的外资画廊着手,通过爬梳历史、分析现状、窥察暇瑜,兼与本土画廊对比,为中国艺术市场的发展提供相应参照。北京作为中国的首都,亦成为中国艺术市场的核心城市之一,它不仅见证了大批中国本土画廊的深沉起伏,也令国际画廊心驰神往,争相入驻。与上海、广州相比~(1),北京外资画廊~(2)入驻早、发展快、类型多,虽然整体数量未能在中国一级市场占居优势,但在质量和规模上已有所显现。自二十世纪九十年代发展至今,
Foreign-funded galleries occupy a pivotal position in the primary market of China. Their actions have frequently drawn the attention of all walks of life. The development of the gallery industry is also directly related to the sound and healthy functioning of the current arts market. This article starts from the foreign-funded galleries in Beijing, analyzes the status quo through the history of the sculptures, glimpses the leisure yoga and contrasts with the local galleries to provide reference for the development of the Chinese art market. Beijing, the capital of China, has also become one of the core cities in the Chinese art market. It not only witnessed the ups and downs of a large number of Chinese local galleries, but also fascinated the international galleries and settled in. Compared with Shanghai and Guangzhou ~ (1), Beijing Foreign Capital Gallery ~ (2) settled in the early, rapid development, many types, although the overall number of failed to occupy the primary market in China, but in terms of quality and scale appear. Since the development of the nineties in the twentieth century,