在较长时间的戏曲创作辅导工作中,常常会遭遇这样一种情况,就是许多人往往并不关心戏曲的戏剧性,更不琢磨如何使“戏剧性”得以深厚,而主要把注意力放在故事或情节甚至许许多多小细节的事理逻辑上,以密不透风、滴水不漏的绝对的科学主义来检视戏曲的外在结构,于是乎我们的剧作家不得不疲于奔命于如何让戏的情节绝对合理化,便衍生出种种“交待”:对人物身份、关系,对情节前前后后的交待,等等;使得原本简洁整饬的结构变得臃肿不堪,拖沓松弛,更致命的在于原本干净利落的“关口”所特有的也特别 In a long time drama creation counseling work, often encounter such a situation, many people often do not care about drama drama, but also do not ponder how to “dramatic” deep, but the main focus on Story or plot or even many details of the logic of logic, with impermeable, dripping absolute scientific doctrine to view the external structure of the drama, and so our playwright had to exhausted how to make the plot of the drama is absolutely rationalization , Then derive a variety of “confesses ”: identity of the characters, relationships, the plot before and after the account, and so on; so that the original structure has become bloated and simple bloated, procrastination relaxation, more deadly is originally neat and tidy “Gateway ” is also unique