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海顿《C大调奏鸣曲》创作于1794年左右,属于海顿晚期创作的奏鸣曲之一。其中,第一乐章运用了“分解旋律”(Hocket)这种欧洲中世纪独特的作曲技法。乐曲开始就运用了和弦式分解旋律的手法,以单音断奏的形式出现。中间出现的分解旋律主要以音阶及和弦琶音的形式出现,音乐材料具有很强的连接性。部分还运用了分解旋律与变奏手法的结合,音乐材料上具有再现的特征,突出了曲式在整首乐曲中的整体布局。分解旋律虽然是一种装饰性的技艺,但它的出现与发展和其它创作手法一样具有着不可忽视的作用。
Haydn “C Major Sonata” was written in about 1794, belonging to one of Haydn’s later sonatas. Among them, the first movement uses “Hocket”, a unique technique of medieval European composers. The song began to use the chord decomposition melody approach, appeared in the form of monophonic. The middle of the decomposition melody mainly in the form of scale and chord arpeggio, the music material has a strong connectivity. Some of them also use the combination of decomposition melody and variation technique. The music material has the characteristics of reproduction, which highlights the overall layout of the music in the whole piece of music. Although the decomposition of melody is a decorative arts, but its appearance and development and other creative techniques as with a can not be ignored.