Mummenschanz 出道不久,就有评论说:这个剧团让人想起了包豪斯。那是1970年代的晚些时候,包豪斯戏剧早已烟消云散了几十年。可是,似乎一夜之间,Schlemmer 倡导的那些机械面具、拟物服装又回来了,它们重新聚拢在幽暗的舞台灯光下,讲述那些表演背后空空如也的故事。但这只是错觉。只要一走进Mummenschanz 的剧场,敏感的观众很快就会发现,他们并不是包豪斯。 Shortly after Mummenschanz debuted, there was a commentary saying that the theater reminds Bauhaus. It was late in the 1970s that the Bauhaus drama had vanished for decades. However, it seems overnight that the mechanical masks and quasi-costumes advocated by Schlemmer are back and they gather together under dim stage lights to tell the story of the emptiness behind the show. But this is just the illusion As soon as they walked into Mummenschanz’s theater, sensitive audiences soon realized that they were not Bauhaus.