戴望舒后期的诗歌创作并没有割断其早期凝结的愁怨,更没有改变他整体的文化性格。悲剧性的命运让其呈现出悲壮的崇高之美,寂寥的诗人在惨淡而隔膜的世界凝结着感伤的柔美。本文分为三部分论述:一、悲壮的诗节与苦难的诗学;二、柔美的感伤与民族化的律动;三、生命的超越与现代性的追寻。诗人在对肉体和死亡的思考中实现了生命的超越,完成了现代性的救赎,也实现了民族化的诗学创造。 Dai Wangshu’s later poetry did not cut off the grudges of its early condensation, but did not change his overall cultural character. Tragic fate made it show the tragic lofty beauty, the lonely poet in the bleak and separates the world condensation sentimental gentle. This article is divided into three parts: First, the poetry of the poignant sentiment and misery; Second, the sentimental and nationalized rhythm; Third, the transcendence of life and the pursuit of modernity. The poet realizes the transcendence of life in the thinking of body and death, completes the salvation of modernity, and also realizes the creation of nationalized poetics.