论文部分内容阅读
本文首先对电影《我的母亲赵一曼》的叙事视角的特殊方式——多重内聚焦方式进行了解读;在此基础上分析了这种特殊叙事视角带来的电影的对话性:儿子和母亲的想像性对话实际上是今天和历史的对话,观众是在对话中,而不是在独语引导下理解烈士和历史的;最后,文章分析了电影这种特殊叙事视角产生的文化土壤和所蕴涵的当下文化意义。
This article first analyzes the special mode of the movie “My Mother Zhao Yi Man”, a multi-focal mode, which is based on the narrative perspective of the movie “My Mother Zhao Yi Man.” On the basis of this, I analyze the dialogic nature of the movie brought by this particular narrative perspective: the son and the mother The imaginative dialogue is actually a dialogue between today and history. The audience is in dialogue instead of comprehending martyrs and history under the guidance of monologues. Finally, the article analyzes the cultural soil and implication of the special narrative perspective of film The current cultural significance.