水彩画的本体语言具有文化表现性。第一,这来自于发源地的文化内涵,可以分析从荷兰到英国的水彩画衍变,及其内在文化所指的演化对此进行清晰地认识。第二,水彩画从西方文化脱胎而出,进入中国文化语境又发生了新的变化。上述两点,是本文讨论水彩画表现性语言的基本出发点。换句话说,本文试图立足于文化层面,进而对水彩画的表性语言展开讨论,探索其语言的美学价值以及在实践创作中的多种可能性。 The body language of watercolor is culturally expressive. First, it comes from the cultural connotation of the place of origin, which can be used to analyze the evolution of watercolors from the Netherlands to the United Kingdom and the evolvement of their inner culture with a clear understanding. Second, watercolor is born out of western culture and new changes have taken place in the context of Chinese culture. The above two points are the basic starting points for discussing the expressive language of watercolor in this article. In other words, this article attempts to base ourselves on the cultural level, and then discuss the representative languages ​​of watercolor and explore the aesthetics value of their languages ​​and their possibilities in practical writing.