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《海风下》是一部以海洋环境主义思想为代表的典型作品,是美国女作家雷切尔·卡森“海洋三部曲”中的第一部。雷切尔·卡森作为生态文学史上的一个里程碑式人物,惯于以艺术与科学相结合的手段来映衬大自然的魅力,进而深层次揭示环境问题。《海风下》作品中,将大海主角化,蕴含着深刻的海洋生态思想内涵,就其创作背景来看,有着重要的意义。该文将以此为出发点,对生态批评视角下的《海风下》做浅显解析,以期能够起到抛砖引玉的作用,唤起更多学者的共鸣。
Under the Sea Breeze is a typical work represented by marine environmentalism and is the first of the American female writer Rachel Carson’s The Trilogy of the Seas. As a landmark figure in the history of ecological literature, Rachel Carson is accustomed to using the combination of art and science to reflect the charm of nature and reveal the environmental problems at a deep level. In “The Under the Wind” works, it is significant for the sea to lead the sea and contain profound connotation of marine ecology. This article will take this as a starting point, and makes a plain analysis of “Under the Wind” from the perspective of ecocriticism in order to serve as a valuable guide to arouse the sympathy of more scholars.