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相对于约三千年的中国玺印史和明清以来的文人篆刻史而言,写意篆刻的提出是一个十分“年轻”的课题。何为写意篆刻或写意印?我在三十多年前的一篇小文中试图界定为“所谓写意印,是指那种求‘神’重于求‘形’的印章形式。”这种观点无疑借用的是中国传
Relative to about three thousand years of Chinese seal history and the history of the Ming and Qing scholars since the seal carving, the proposed carving is a very “young ” issue. What is a freehand seal or a freehand brush? I tried to define it as a “freehand brush” in a small article more than thirty years ago. Undoubtedly borrowed from the point of view is the Chinese biography