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地点:南艺后街枫亭水岸时间:2014年1月16日李:庄先生,与油画和国画相比,作为一个画种,水彩画创作是不是应该发挥它自身的长处,或者换句话讲,水彩画创作是不是不应该受到画种的局限呢?庄:听说现在有一种说法是不提倡界定是某个画种的画。李:但是一个画种的材料、工具和约定俗成的技法传统,还是会对画种进行区分和定义。庄:现在很多水彩画,应该说已经不是纯粹的水彩画,比如说有些水彩画是加粉的,也有加丙烯或其他材料的,这些是应该称为综合艺术的。
Location: Nanking Backstreet, Fengting Waterfront Date: January 16, 2014 Li: Mr. Zhuang, compared with oil paintings and traditional Chinese paintings, is not it a watercolor painting that should have its own strengths, or in other words Zhuang: I heard that there is a saying that is not to advocate the definition of a painting is a painting. Li: But a painting of materials, tools, and conventions of traditional techniques still distinguish and define paintings. Zhuang: At present, many watercolor paintings should be said that they are no longer pure watercolor paintings. For example, some watercolor paintings are made of powder or acrylic or other materials, which should be called integrated arts.